Annotated Bibliography
1.
Hensley, K. & Wollscheid, K. (2012). National Story Network. Retrieved from http://www.storynet.org/
The National Story Network originated from the National Storytelling Festival that takes place in Jonesborough, Tennessee. The goal of the NSN is to support individuals and groups that preserve the art of storytelling. There are regional divisions and a lengthy board of directors. Within the website there are regional storytellers that can be contacted for educational purposes or events.
2.
Lambert, J., Paulos, E., Hill, A., & Weinshenker, D. (2012). Center for Digital Storytelling. Retrieved from http://www.storycenter.org/services.html
This website is dedicated to assisting educators, institutions, individuals, etc. with knowledge of digital technology. They host workshops that teach how to use audio narratives, video, photography, and music to complete a short digital story. There are several examples displayed on their site. These stories can be a cathartic process for the participants that have dealt with trauma.
3.
Kaplan, F. (2006). Holocaust Survivors and Their Children: A Search for Positive Effects. American Academy of Experts in Traumatic Stress.
Retrieved from http://www.aaets.org/article96.htm
Most of the website is made up of helpful articles that pertain to dealing with different traumatic events. There’s the option of membership for professionals. Benefits for the public include book listings, access to published articles, and contact information for psychological help.
4.
Coron, B. (2011,October). Beatrice Coron: Stories Cut from Paper [Video file].
Retrieved from http://www.ted.com/talks/beatrice_coron_stories_cut_from_paper.html
Beatrice Coron is a visual storyteller that uses paper to create silhouetted images. She became an artist later in life after many odd jobs, such as a tour guide in Egypt. Coron was born in Lyon, France and has lived Mexico, Egypt, and most recently New York.
Her work is not just limited to paper. Coron has had many public works of art constructed in metal and stone for architectural elements. One of her pieces, Earthcatcher, show how the world is connected by cutting a silhouette of a root system below a circular cityscape. Many of her other cut stories tell of historical events and personal responses to her life experiences.
5.
Yuh, S. (2007, November 20). Sunkoo Yuh at SofaExpo 2007 [video].
Retrieved from http://www.youtube.com/watch?v=5o-qHfPeXMc&feature=player_embedded
Sunkoo Yuh is a Korean born artist that has taught at the University of Georgia in the ceramics department. His work is built in a totem type fashion and the imagery is mostly figurative with dripping colorful glazes.
The totem figures are usually little stories in themselves. Some of them tell stories of his family’s adaption to living in the United States. Others share more political views and social commentary.
6.
Huey, A. (2010, September). Aaron Huey: America’s Native Prisoners of War [video]. Retrieved from http://www.ted.com/talks/lang/en/aaron_huey.html
Aaron Huey is a photographer for National Geographic Adventure and National Geographic Traveler his work ranges from political, personal, to adventuresome and his work can be seen in quite a few publications.
He created a photo story about poverty of the Lakota people. Long neglected and still living off the land that was sanctioned to them as a reservation, poverty, crime, and sickness run rampant. Huey was hesitantly accepted by this people, but have entrusted him with the imagery of their way of life.
7.
Connell, A. K. (2011, January) Andrea Keys Connell [video].
Retrieved from http://andreakeys.com/artwork/2029464_Riverview_Art_Space_Lynchburg_VA_January.html
Andrea Keys Connell is a figurative ceramic artist. Her work features stylized characters that interact with objects and each other. The figures are symbolic of situations that involve a traumatic event.
Her grandparents that survived the Holocaust inspired Connell’s work. Growing up she was not aware of her grandparents traumatic life nor that they were Jewish; it wasn’t until she was 16 that her mother explained. All this tension had taken a toll on her grandparents and her mother, which led Connell’s curiosity with intergenerational trauma.
8.
United States Holocaust Memorial Museum. (2012). Introduction to the Holocaust.
Retrieved from http://www.ushmm.org/wlc/en/article.php?ModuleId=10005143
The Holocaust museum website not only has features for events at the museum, but it hosts many educational links as well. People can find information about their family or loved ones that may have been involved. There is a library filled with articles that pertain to the traumatic event and access to information about genocide and how to get involved in helping current victims of this atrocity.
9.
International Society for Self and Identity. (2012). An Interdisciplinary Association of Social and Behavioral Scientists.
Retrieved from http://issiweb.org/default.aspx
This is a society that studies the behaviors of themselves. There are conferences, awards, and memberships for professionals and people with interests in the study of self and identity. There is a journal published that features their research.
10.
Diallo, D.D. (2012). Delphine Diaw Diallo: Magic Photo Studio. Retreived from http://www.delphinediawdiallo.com/album/magic_photo_studio?p=1#14
Delphine Diaw Diallo was born in Paris, France in the 1970s. Her multicultural heritage has had a huge impact on her artwork. Diallo’s mother is a French painter and her father is from Senegal. After graduating from art school she pursued commercial art and then wanted to investigate her family’s cultural heritage.
Her work now consists of video, photography, and mixed media. Magic Photo Studio is a collection of black and white photography with colorful overlays of collage. These are images of Senegal families. Diallo has also traveled to Africa for other photography projects that are featured in her gallery.
Hensley, K. & Wollscheid, K. (2012). National Story Network. Retrieved from http://www.storynet.org/
The National Story Network originated from the National Storytelling Festival that takes place in Jonesborough, Tennessee. The goal of the NSN is to support individuals and groups that preserve the art of storytelling. There are regional divisions and a lengthy board of directors. Within the website there are regional storytellers that can be contacted for educational purposes or events.
2.
Lambert, J., Paulos, E., Hill, A., & Weinshenker, D. (2012). Center for Digital Storytelling. Retrieved from http://www.storycenter.org/services.html
This website is dedicated to assisting educators, institutions, individuals, etc. with knowledge of digital technology. They host workshops that teach how to use audio narratives, video, photography, and music to complete a short digital story. There are several examples displayed on their site. These stories can be a cathartic process for the participants that have dealt with trauma.
3.
Kaplan, F. (2006). Holocaust Survivors and Their Children: A Search for Positive Effects. American Academy of Experts in Traumatic Stress.
Retrieved from http://www.aaets.org/article96.htm
Most of the website is made up of helpful articles that pertain to dealing with different traumatic events. There’s the option of membership for professionals. Benefits for the public include book listings, access to published articles, and contact information for psychological help.
4.
Coron, B. (2011,October). Beatrice Coron: Stories Cut from Paper [Video file].
Retrieved from http://www.ted.com/talks/beatrice_coron_stories_cut_from_paper.html
Beatrice Coron is a visual storyteller that uses paper to create silhouetted images. She became an artist later in life after many odd jobs, such as a tour guide in Egypt. Coron was born in Lyon, France and has lived Mexico, Egypt, and most recently New York.
Her work is not just limited to paper. Coron has had many public works of art constructed in metal and stone for architectural elements. One of her pieces, Earthcatcher, show how the world is connected by cutting a silhouette of a root system below a circular cityscape. Many of her other cut stories tell of historical events and personal responses to her life experiences.
5.
Yuh, S. (2007, November 20). Sunkoo Yuh at SofaExpo 2007 [video].
Retrieved from http://www.youtube.com/watch?v=5o-qHfPeXMc&feature=player_embedded
Sunkoo Yuh is a Korean born artist that has taught at the University of Georgia in the ceramics department. His work is built in a totem type fashion and the imagery is mostly figurative with dripping colorful glazes.
The totem figures are usually little stories in themselves. Some of them tell stories of his family’s adaption to living in the United States. Others share more political views and social commentary.
6.
Huey, A. (2010, September). Aaron Huey: America’s Native Prisoners of War [video]. Retrieved from http://www.ted.com/talks/lang/en/aaron_huey.html
Aaron Huey is a photographer for National Geographic Adventure and National Geographic Traveler his work ranges from political, personal, to adventuresome and his work can be seen in quite a few publications.
He created a photo story about poverty of the Lakota people. Long neglected and still living off the land that was sanctioned to them as a reservation, poverty, crime, and sickness run rampant. Huey was hesitantly accepted by this people, but have entrusted him with the imagery of their way of life.
7.
Connell, A. K. (2011, January) Andrea Keys Connell [video].
Retrieved from http://andreakeys.com/artwork/2029464_Riverview_Art_Space_Lynchburg_VA_January.html
Andrea Keys Connell is a figurative ceramic artist. Her work features stylized characters that interact with objects and each other. The figures are symbolic of situations that involve a traumatic event.
Her grandparents that survived the Holocaust inspired Connell’s work. Growing up she was not aware of her grandparents traumatic life nor that they were Jewish; it wasn’t until she was 16 that her mother explained. All this tension had taken a toll on her grandparents and her mother, which led Connell’s curiosity with intergenerational trauma.
8.
United States Holocaust Memorial Museum. (2012). Introduction to the Holocaust.
Retrieved from http://www.ushmm.org/wlc/en/article.php?ModuleId=10005143
The Holocaust museum website not only has features for events at the museum, but it hosts many educational links as well. People can find information about their family or loved ones that may have been involved. There is a library filled with articles that pertain to the traumatic event and access to information about genocide and how to get involved in helping current victims of this atrocity.
9.
International Society for Self and Identity. (2012). An Interdisciplinary Association of Social and Behavioral Scientists.
Retrieved from http://issiweb.org/default.aspx
This is a society that studies the behaviors of themselves. There are conferences, awards, and memberships for professionals and people with interests in the study of self and identity. There is a journal published that features their research.
10.
Diallo, D.D. (2012). Delphine Diaw Diallo: Magic Photo Studio. Retreived from http://www.delphinediawdiallo.com/album/magic_photo_studio?p=1#14
Delphine Diaw Diallo was born in Paris, France in the 1970s. Her multicultural heritage has had a huge impact on her artwork. Diallo’s mother is a French painter and her father is from Senegal. After graduating from art school she pursued commercial art and then wanted to investigate her family’s cultural heritage.
Her work now consists of video, photography, and mixed media. Magic Photo Studio is a collection of black and white photography with colorful overlays of collage. These are images of Senegal families. Diallo has also traveled to Africa for other photography projects that are featured in her gallery.